Saturday, September 28, 2013

In the Abstract

Welcome back to another school year.  I hope some of these blog entries can inspire some thought -- and perhaps add an element of visual pleasure to your studies.

In this entry, I'd like to look at the notion of Abstraction


Munch says the red sunset inspired him
When Norwegian painter Edvard Munch picked up a box of pastels and a piece of cardboard, he probably did not know the resulting image would fetch almost $120 MILLION dollars at auction about 100 years later.  This is the highest price ever paid for art at auction – higher, even, than for any of Picasso’s work.

The Scream is one of the most recognizable paintings in modern art and has even been stolen from museums (and recovered) twice.  Kind of reminds a guy of The Thomas Crown Affair.

Clearly, this is an image of huge power to communicate.  Yet it is barely representational at all – nothing in it looks realistic: not the shapes, the colours, the face.  My question to you is two part:  where does the power come from, and is there any way to use a camera to produce images with such power?

ABSTRACTION
You doubtlessly remember the first assignment in this course – to analyze your own images in terms of line, colour, form, pattern, etc.  Abstract photography concerns itself entirely with these dimensions.  It’s a nice discipline to focus on these elements entirely – creating an image of shape, for instance, rather than a snapshot of a building.

Here are some ways in which a few photographers have taken such common subjects as smoke and water and found in them all the elements of art.  Can you identify which elements of style dominate these images?

Paul Bonnichsen has made good use of those long dreary days of winter with poor light outside to stay inside and make fascinating images of smoke curling from incense sticks.  He has had to put a lot of effort into rear lighting, yet the results capture our eye.


Chaval Brasil (who you can find in flickr) uses design elements in all of his work -- but his water splash images are perhaps his most abstract.

Which elements of design dominate these images?  Can you find and focus on them them in your own images?



Finally – just for fun – here is a photographer who has combined images of water and dogs.  It demonstrates wonderful technological skill while communicating a real sense of play.  Seth Casteel is a “lifestyle” photographer with enough fame to appear on Duck Dynasty, but he began his career volunteering to photograph homeless pets.  Who knows what your own future might hold!

For now, just take a moment, look back up at The Scream, ponder it and see if you can put into words the source of power in that image. 

Add  your insights as a comment -- and we'll see if we can better understand why some images have such enduring power to engage the viewer.


9 comments:

  1. What a lovely piece of work! The fact that it's completely unrealistic, but it's still able to communicate so effectively is incredible. It's really hard to pinpoint exactly what makes it so special, but I believe that it has something to do with the way the author manipulated the color and the lines to all diverge towards the screaming face, making it the focus of the piece. It really is breathtaking because the artiste made me feel something screaming inside of me, just by looking at this painting!

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    1. When it comes to photography, I think it all comes down to how you present the subject. In all the above pictures we can see that the background helps focus the viewer on the subject, giving that specific object a lot of power.

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  2. I agree with your insights there, Gabrielle. Somehow the mental agony of the screaming man (or woman) seems reflected in all of nature. The indifferent bystanders seem to me to make the anguish of the screamer even stronger.

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  3. The picture of "The Scream" makes me think of somone who feels completely alone in the world, and no matter how loud he or she screams no one will hear them, or even care. The people walking obliviously in the backround only paints a clearer picture of how this person really feels inside. It's amazing how artists can portray something like this in a painting, its not just a picture of someone screaming. It makes me think of all the people in this world that feel exactly how this person in the painting feels. Photography can be such a powerful tool to portray things in this world, this painting portrays a hurting person not only a screaming one. Pictures can capture joy, hope, love, fear, and so many more emotions that humans experience, and can relate to just as paintings can.

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  4. I think that not only the background but the blending of the colours is what really grabs my eye here. it almost makes the mind veiw it as three dimentional as we get a glance at the contrasts the colours create being next to eachother

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  5. i really enjoy the photos of the dogs. i really would love to take photos like that. seems truly amazing. I love any underwater photos.

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  6. Concerning "The Scream", I'd say the power of the image comes from the out-of-the-ordinary colors that are used combined with the unrealistic style. I don't think you could achieve such an unrealistic look on a photo though.

    By the way, those are really fun photos of those dogs.

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  7. Danielle HébertMay 5, 2015 at 9:47 AM

    The dominate element of style in the smoke picture is line.

    In The Scream it is a scene that could be real but it is shone in such a different way that it becomes abstract. The screamer’s face is of an abnormal form of the human face. In the painting of The Scream you have the screamer and you have the peaceful background, the emotions they portray contradict each other but the form compliment each other. They are on opposite ends of the spectrum, The Scream is showing fear and terror but his entourage is peaceful and tranquil. It is quite an impressive art piece to have so many distinct emotions and that they both compliment each other.

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