Saturday, September 17, 2011

Welcome Back

Well, welcome back to a new school year.  And, in particular, let’s welcome some of our new students.   In the last week we’ve had Candice, Rebecca, Brenda, Cassy, Kathryn, Megan, April, and  Emily all join our community. 

I’m sure everyone looks forward to greeting them in flickr!

Matt Laur's Evening Stroll on Piazza Bra (photo.net)

 Speaking of communities, if you are interested in a fine photographic community, you will not go far wrong with photo.net.  They have a quality photo gallery, highly-informative forums, and a wealth of easy-to-read articles on various techniques.



Featured Photographer: Jerry Uelsmann  Old School Manipulation

How often have you heard the comment, “Yeah.  But it’s been photoshopped.”

As if using the digital darkroom suddenly made photographic images less valuable. 

Of course, since you did the lesson on The Digital Sensor, you can tell your friends that digital sensors respond to about 70% of incident light while film only captures about 2%, making digital photography awesomely more powerful than chemical-based film. 

Photoshopped?  Not at all.
But Jerry Uelsmann makes an even more interesting argument on that front -- that the simple combination of representational images can create haunting new images with emotional and allegorical power.

So let me introduce you to a man who made compound images long before anyone even dreamed of Photoshop.

Like you, Jerry Uelsmann became interested in photography in high school.  And over time his wonderful graphic imagination and his passion for sharing his images led him to achieve advanced university degrees and a teaching job at the University of Florida!

These images (and you can look at his other work here) were all composed of multiple negatives, stacked then manipulated in the “wet” darkroom with as many as ten enlargers at once.  There is nothing faintly digital about these images – except that they’ve been scanned to get them here.

Uelsmann’s art has been called allegorical and it has been said he turns his subjects into symbols of something else entirely.

Uelsmann made composite images before Photoshop.


The woman looking from the reflection of the mountain scene almost forces us to re-think the image and ponder it.  Such intriguing power!

Next time someone says, “Yeah, but it’s Photoshopped,” you might be able to help them look to the full meaning of the image.